The State of the Art

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I tend to watch music videos for a good sense of the state of the art in FX and editing - what you see there will get to feature films about two years later.

If you want the same kind of insight into Machinima right now, I recommend you watch the world of Baron Soosden, combining World of Warcraft, Unreal Tournament, Half-Life 2 and some truly spectacular editing using Sony Vegas and After Effects.

Seriously, this stuff (particularly his latest videos, I’m So Sick and Unlimited Escapism vol. 0 ,) is just amazing. Incredibly high-quality work for video editing as a whole, never mind just Machinima. Not particularly narrative, but technically stunning. He’s one of not a lot of Machinima creators whose new work I immediately watch.

Check it out.

BloodSpell: the feature-length version is now available

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We interrupt your regular MfD for this news…

The feature-length cut of BloodSpell is now available for viewing. This is a full feature film, made in Machinima using Neverwinter Nights, that took us (by which I mean me and a crew of about 25 other people coming in and out) four years to make. It has been featured on the BBC, Suicide Girls, Boingboing, USA Today’s blogging site, in the Guardian, the Telegraph, SFX magazine, and more.

It’s a “punk fantasy” adventure story - see here for the full scoop.

We’re really proud of it, and we think that it shows the full power of Machinima to enable people to make movies they couldn’t make any other way.

Enjoy.

If you're reading this...

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You are very much invited to the BloodSpell Launch Party, happening in Second Life this weekend.

Oh, and you are also very welcome to check out the BloodSpell feature film, coming on Sunday, too!

Mini Book review: Setting Up Your Shots

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Matt Kelland (he of Short Fuze and Moviestorm fame) lent me a book the other day called Setting Up Your Shots (Jeremy Vineyard & Jose Cruz, Michael Wiese 2000, ISBN 0-941188-73-6, buy from Amazon.com or Amazon.co.uk). It’s a fantastic book for a filmmaker, covering over a hundred classic shots and camera moves.

The great thing about it is that, to accompany Vineyard’s excellent and non-nonsense descriptions of each shot, professional storyboard artist Cruz has provided an illustration of the technique in use. Each shot is also accompanied by two or three examples from classic films, showing the technique in use. The chances are high that you’ll have seen at least one of the films mentioned, so you’ll be able to say “Oh, that bit.”

If you’re an experienced filmmaker, much of the information in this book won’t be news to you, but it’s presented in such a clear and concise manner that it may well cause you to think differently about the common shots that you use every day. Whether you’re learning or revising from this book, though, having such a comprehensive manual of classic camera techniques on your desk can only benifit your filmmaking. I’d recommend this book to all of you, no matter your experience or filmmaking style. Setting Up Your Shots is fabulous stuff (and stupidly cheap, too!).

Other books in the series include Cinematic Storytelling(Amazon.com Amazon.co.uk) and Setting Up Your Scenes (Amazon.com Amazon.co.uk). I’ve got them all on order, and they’ll have a prominent place on my bookshelf as soon as they arrive.

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